Into the Cold

We hear it coming before it appears shimmering like sunfish from shadow into light, led by a woman with a flute. Behind her a revelry of zealots with vesper flamingos, children with stones. A father puts his daughter on the ground and moves to follow them but his wife throws out her arm. It’s a powerful thing, this music, this procession of saboteurs in gimcrack costumes. Most of the women lean in doorways. Rumors go mouth to ear that somewhere toward the end of the line is a caged king, almost naked. Fireworks make gold ornaments in the sky, and some of them rain down on roofs catching fire. It would be magical if it didn’t ruin half the town. This will be the last of its kind, this parade, these people from the last eclipse staggering toward the sun. I was only here to listen to a story, and then all this, this treeshine and goblins jigging into town. But I could love them all given half the chance, the ragged and joyous and evil. So I follow them over the next hill to catch them before they disappear. I run, smiling, lifting my arms like an idiot catching the clouds, making the air twirl with dust.

Sam Aureli

Sam Aureli is a design and construction professional, originally from Italy, now calling the Boston area home. A first-generation college graduate, he’s spent decades immersed in concrete and steel. Poetry is what truly feeds his soul these days. With retirement still some time away, Sam balances the grind of his day job with the refuge he finds in writing. His work has appeared in The Atlanta Review, West Trade Review, Chestnut Review, and other literary journals. Sam was also the Grand Prize Winner in The October Project’s 2025 Poetry Contest, a Merit Award winner in the Atlanta Review 2025 International Poetry Competition, and a finalist in the Good Life Poetry HoneyBee Prize.